PHÉNIX RISES
THE IMPOSSIBLE ZOOM
As for the look, the lens produces sharp images, with little to no CA. There is some focus fall off at the edges, but it is never problematic or distracting. Bokeh has more texture than modern cinema zooms, and lens flares are gorgeous, making this lens a perfect match for many vintage primes, including Canon FD, Minolta Rokkor, Leica R, Nikon, Konica, and others. This is why we never gave up on the project…there is nothing quite like The Phénix.
It’s true! The Angenieux 28-70 and Tokina 28-70 share the same optical design. Who designed it is unclear. But we can confirm they are identical in almost every way. There is strong evidence suggesting Tokina made all the Angenieux branded 28-70 zoom lenses. After thorough testing, we chose the Tokina version for the Phénix Project and we couldn’t be happier.
The impressive range (28-70) and fast aperture (T2.7), combined with its character rich images, makes this special lens an ideal rehousing project for Ancient Optics. However, the source glass has extremely complex focus and zoom movements, making it a monumental challenge to properly rehouse. Many have tried and all have failed. Most thought it to be impossible, but finally…The Phénix Rises.
The code has been cracked by the fabulous team at Iron Glass in Ukraine. Thanks to their talent and efforts, cinematographers now have access to these lovely images without having to sacrifice functionality. A truly no compromises housing.
The Phénix full frame zoom lens is parfocal in its new compact (110mm front) and lightweight (3.5 lbs.) cinema housing. Focus rotation has been expanded for accuracy to 300 degrees. The original 8 blade iris has been replaced with a new and robust circular 15 blade iris. Minimum close focus distance was improved to an impressive 1’9”. A shimmable stainless steel PL mount and Cerakoted aluminum exterior makes this lens reliable, rugged, and gorgeous.